Focusrite Scarlett 18i20 2nd GenerationUSB Audio Interface Product code: SCARLETT-18I20-2GEN Scarlett 18i20 puts eight natural-sounding combination inputs at your disposal. We put two on the front, where you need them most, with newly designed instrument inputs that can handle even the hottest signals. We put six more on the back, so you can leave your mics, synths, keyboards, mixers and effects processors permanently plugged in and ready to go. If that isn’t enough for you, connect an eight-channel mic pre like the Focusrite OctoPre Mk II to the ADAT input for a total of 16 analogue inputs. Add the two channels of digital audio via S/PDIF and 16 channels of MIDI, and you can record just about anything you want. All eight analogue inputs feature pristine and natural sounding Scarlett preamps, backed by 30 years of design experience and found in the world’s top studios. These guarantee exceptional headroom, plenty of clean gain, low noise, minimal distortion and a dynamic range that is unrivalled in this class. As well as eight balanced analogue line outputs, Scarlett 18i20 gives you two independent stereo headphone outputs so you can give engineer and artist their own separate, fully-customised mixes. An unrivalled round-trip latency as low as 2.74ms* completely revolutionises your workflow. You can work entirely inside your DAW for both overdubbing and playback, and use your plugins while recording - depending on your software, settings and computer, of ourse. You’ll also get the best out of vocal performances, by applying real-time comfort reverb to artists' headphones. Focusrite redesigned Scarlett 18i20's instrument inputs and given them plenty of extra headroom, so you can handle extreme levels without any unwanted clipping or distortion. If you’re recording extra loud instruments, you can also engage the 10dB pad in Focusrite Control software. Scarlett 18i20 works with all major DAWs on Mac and PC, and comes with Focusrite Control: our brand new software mixer designed for easily configuring your monitoring and routing setups. Simple and intuitive to use, it gives you a traditional mixer workflow, separate headphone mixes and immediate access to internal hardware functions. Scarlett 18i20 comes with time-unlimited versions Ableton Live Lite and Pro Tools | First Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives. You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples. Of course, Scarlett 18i20 works flawlessly with all major DAWs on Mac and PC.Tech SpecSupported Sample Rates 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHzSupported Operating Systems Mac OS 10.10 (Yosemite), 10.11 (El Capitan), Windows Windows 7 (64-bit), Windows 8.1, Windows 10Microphone InputsFrequency Response 20 Hz - 20 kHz +0.5/-1.5 dBDynamic Range 109 dB (A-Weighted)THD+N <0.002%Noise EIN -127 dBuMaximum input level +8.5 dBuGain Range 50 dBLine InputsFrequency Response 20 Hz - 20 kHz +0.5/-1.5 dBDynamic Range 109 dB (A-Weighted)THD+N <0.003%Maximum input level +22 dBuGain Range 50 dBInstrument InputsFrequency Response 20 Hz - 20 kHz +0.5/-1.5 dBDynamic Range 109 dB (A-Weighted)THD+N <0.003%Maximum input level +12 dBuGain Range 50 dBMonitor Outputs (1-2)Frequency Response 20 Hz - 20 kHz ±0.5 dBDynamic Range (Line Outputs) 108 dB (A-Weighted)THD+N <0.001%Maximum Output Level (0 dBFS) +16 dBuLine Outputs (3-10) Frequency Response 20 Hz - 20 kHz ±0.5 dBDynamic Range (Line Outputs) 108 dB (A-Weighted)THD+N <0.001%Maximum Output Level (0 dBFS) +16 dBuHeadphone OutputsFrequency Response 20 Hz - 20 kHz ±0.5 dBDynamic Range 108 dB (A-Weighted)THD+N <0.001%Maximum Output Level +13 dBuIn stock for online shop more than 10 pcs
Motu UltraLite-mk4USB Audio Interface Product code: MOTU-UltraLite-mk4 Compact 18x22 USB2 audio interface with DSP, mixing and effects. The latest in MOTU's award-winning UltraLite series, the UltraLite-mk4 is a USB audio interface with 40 simultaneous I/O channels (18 in, 22 out). It also delivers exceptional sound quality, new ultra-low latency drivers and expanded DSP for studio-grade mobile audio recording. Analog outputs deliver 117dB dynamic range at sample rates up to 192 kHz. Renowned drivers deliver rock-solid performance and industry-leading low latency. New, optimized drivers for both Mac and PC deliver ultra-low latency performance. With a high-performance DAW such as Digital Performer, the UltraLite-mk4 delivers an astonishing round trip latency (RTL) of 1.83 ms (milliseconds) on OS X and 1.84 ms on Windows over USB (at 96 kHz with a 32-sample host buffer). Housed in a compact, aluminum-alloy enclosure you can take anywhere, the UltraLite-mk4 is equally well-suited for studio and stage, with or without a computer. As an interface or mixer, the UltraLite-mk4 provides 18 ins and 22 outs, for a total of 40 simultaneous I/O channels. Connect all of your audio gear, including speakers, headphones, mics, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all live inputs using the on-board 48-channel, console-style mixer, with no latency and no processor strain on your computer. Further sculpt your sound with 4-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler™, an accurate model of the legendary LA-2A™ optical compressor that provides vintage, musical automatic gain control. Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full- featured oscilloscope, X-Y plot and phase analyzer. After recording and mixing in the studio, take the UltraLite-mk4 on the road with your laptop for mobile recording and live mixing.In stock for online shop 5 pcs
Steinberg CC 121USB Audio Interface Product code: CC121 Controlling USB interface with Advanced Integration System specifically designed for Cubase production environment. It simplifies the work, saves time and provides maximum user comfort. It is equipped with precise Advanced Integration Controller Knob with the support of "point and control", which can control all visual parameters of Cubase, internal FX settings or VSTi parameter. Furthermore, it is equipped with 100 mm touch-sensitive fader, special controls for Cubase channel (solo, mute, record arm...), Cubase equalizer section with 12 rotary encoders and bypass/mode button, immediate integration and compatibility with Mac and PC. Dimensions: 284 x 72 x 185 mm, weight: 1.5 kg.In stock for online shop 1 pcs
Apogee Electronics ONE for Mac + iOSUSB Audio Interface Product code: ONE-MAC-IOSIn stock for online shop 1 pcs
Audient iD22 Audio Interface and Monitor ControllerUSB Audio Interface Product code: ID22 iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time. 10-in, 14-out Desktop Interface, 2 x Class-A Audient Console mic preamplifiers, high performance Burr Brown AD/DA Converters, fully balanced Inserts, ADAT Input for expandability, 1 x discrete JFET instrument Input, low latency DSP mixer, Main and Alternative speaker Outputs, independent class-A headphone Output, user defined function keys, full monitor control functionality (software controlled), USB 2.0 compliant. Dimensions: 225 x 180 x 60 mm. Weight: 1,5 kg.In stock for online shop 2 pcs
Tascam US-20X20:20 channels of analog and digital I/O in a single rackspace with great sounding preamps and USB 3.0/2.0 connectivity. Eight Ultra-HDDA microphone preamps provide 56dB of gain and high headroom to make microphones sound their best. Up to ten channels of digital I/O are included on ADAT and S/PDIF connectors, with word clock also provided for use with external clocks like TASCAM’s CG-1000. MIDI I/O allows use with controllers and synthesizers, and sample rates up to 192kHz/24-bit are supported. - Ultra-HDDA (High Definition Discrete Architecture) mic preamps - Eight Ultra-HDDA micpres with XLR/TRS and connector, two TRS inputs - 3 mode switching of Interface / Mic preamp / Mixer - Up to 192kHz / 24-bit recording - Support for Windows and Mac - USB 3.0 / 2.0 computer connection (USB3.0 requires Windows 10 or OSX 10.11.2 (or later)) - Connect with iPads and other iOS devices - +48V phantom power for all inputs - Tough metal casing for durability - Angled design provides excellent usability on a desktop - Two standard TRS headphones output jack with 70mW + 70mW output power - Separate controls for line and headphones output volumes - MIDI input and output - Low-latency monitoring via on-board DSP mixer - DSP mixer with 4-band EQ and compression on each input channel(Can be used in Interface / Mixer mode) - On-board Reverb effect ideal for monitoring on interface mode or PA/SR on mixer mode - Patch bay allows outputs to be assigned freely (Can be used in Interface/Mixer mode) - Scenes can store DSP mixer settings (up to 10+1 scenes can be stored and named) - Ten TRS analog outputs - S/PDIF coaxial digital input/output connectors - TOS LINK optical digital multichannel input/output connectors (supporting SMUX2 and SMUX4) - BNC word clock input/output connectors - USB class compliant 2.0 support - Confirmed operation with major DAW software (SONAR, Pro Tools, Cubase, Live, Studio One, GarageBand) - Rack-mount adapter included - Dedicated AC adapter included - USB2.0 cable and USB3.0 cable included
Product rating:Tascam US-20X20
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5. 12. 2018: Da mein Clevo Notebook nur eine Soundblaster Pro X 720 drinnen hab und die Latenzzeit in meiner DAW (FL Studio) zu hoch war mit 54ms auch über ASIO Treiber habe ich mir dieses Tascam Interface gekauft. Dieses Gerät verfügt über diverse Ein und Ausgfänge zudem ist meine Latenzzeit nun in der DAW auf 11 ms runter. Ich arbeitete mit einem ELB-1600 Mixer der auf meinen Aktive Studioboxen ein eckliges Brummen drauf hatte und siehe da den Mixer konnte ich auf den Dachstock verräumen da ich nun im Tascam selbst abmixen kann. Zudem hat das Gerät einen Geräöuschpegelabstand von -135db was sämtliches Rauschen in meinem Studio eliminiert hat.(als vergleich 130db ist extrem laut nämlich eine Space Shuttle hat beim Start 130db und da muss man mit 8km Abstand noch Gehörschutz tragen um keinen Hörsturtz zu bekommen). Also ein muss für jeden der zuviel brummen auf den Boxen hat oder einfach zuviel Latenzzeit in seiner DAW. das Musikkanal des Notebooks geht überigenms digital ins Tascam. Also kaufen TOPTEIL!!!