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RME
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RME MADIface Pro

USB audio interface from RME. The MADIface Pro feature the beautifully designed housing with its integrated XLR, analog I/Os and MADI port - the result is 64 channels of pristine audio on a single cable on an interface that will fit in your laptop...
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Interface áudio USB RME MADIface Pro

RME MADIface Pro

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Código do produto: MADIFACE-PRO | ID: 310200

RME MADIface Pro

USB audio interface from RME. The MADIface Pro feature the beautifully designed housing with its integrated XLR, analog I/Os and MADI port - the result is 64 channels of pristine audio on a single cable on an interface that will fit in your laptop bag with your computer.

Because of its physical design and versatile I/O, the MADIface Pro is the perfect mobile solution where quality audio is critical. As well as remote, live, broadcast and industrial applications, the MADIface Pro is also the complete solution for the studio.

Two analog mic/line XLR inputs, two XLR line outputs, two universal TS inputs for line or instrument, and 2 stereo TRS outputs for low and high impedance headphones provide everything you need to work on your projects in the studio or on the move. TotalMix FX adds 3-band parametric EQs and reverb/echo, plus unlimited mixing and routing options. A MIDI I/O completes the fully DAW compatible feature set. The unit operates USB bus powered and usually does not need an external power supply, unless the MADI I/O is used. The MADIface Pro includes an external power supply with lockable connector.

The optical MADI I/O offers 64 input and out channels, and sample rates up to 192 kHz. It is fully supported in TotalMix FX, with the analog I/Os simultaneously available, resulting in 68 channels input and 68 channels output over USB 2.

When not connected to a computer, the MADIface Pro enters stand-alone mode. The easy to use control surface with dedicated buttons and four level meter bars, along with independent storage of all current settings have already become important workflow features for many existing Babyface Pro owners. A very useful MADI monitor feature has been added to stand-alone mode. MADI channels 1 to 64 are passed unchanged from input to output (but refreshed by the MADIface Pro SteadyClock III). Optionally channels 1/2 can be replaced by the input signals 1/2, 3/4, MADI 1/2 or a user adjustable mixdown of all these channels. The analog outputs can be used to listen to any incoming MADI channel pair.

It’s RME’s ability to deliver professional performance over USB 2.0 that allows the MADIface Pro to record and playback 68 simultaneous channels, all with buffer sizes as low as 32 samples (lowest value depends on computer used). The MADIface Pro can be used in Class Compliant mode achieving 24 channels of I/O (4 analog, 20 channels MADI) on an iPad. This truly professional and mobile solution can be easily set and controlled via RME’s optional iOS app TotalMix FX for iPad, available in the App Store.

Ainda não está disponível uma descrição adicional no seu idioma. A descrição em inglês pode ajudar.
  • Analog: Microphone/Line 1-2
  • Input: XLR
  • Input impedance balanced: 2 kOhm, 5.2 kOhm with PAD
  • Input impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD
  • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • Frequency response @ 44.1 kHz, -0.1 dB: 18 Hz – 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 7 Hz – 45.8 kHz
  • Frequency response @ 192 kHz, -1 dB: 5 Hz – 92 kHz
  • THD: < -110 dB, < 0.00032 %
  • THD+N: < -104 dB, < 0.00063 %
  • THD @ 30 dB Gain: < -107 dB, < 0.0004 %
  • THD+N @ 30 dB Gain: < -100 dB, < 0.001 %
  • Maximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu
  • Maximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu

 

  • Analog: Line/Instrument in 3-4
  • As Microphone/Line 1-2, but: Input: 6,3 mm jack
  • Input impedance: 470 kOhm
  • Signal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA
  • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: < 3 Hz – 45.8 kHz
  • Frequency response @ 192 kHz, -1 dB: < 2 Hz – 92 kHz
  • Maximum input level @+4 dBu, Gain 0 dB: +13 dBu
  • Maximum input level @-10 dBV, Gain 9 dB: -5 dBu

 

  • Analog: Line out 1-2, XLR
  • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
  • Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz
  • Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
  • Output impedance: 300 Ohm balanced, 150 Ohm unbalanced

 

  • Analog: 2 x phones output 3/4
  • 6,3 mm jack: output impedance: 10 Ohm
  • 3,5 mm jack: output impedance: 2 Ohm

 

  • MIDI: 1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
  • Galvanically isolated by optocoupled input
  • 1 x MIDI I/O via MADI

 

  • Digital: Clocks: Internal, MADI In
  • Low jitter design: < 1 ns in PLL mode, all inputs
  • Supported sample rates: 28 kHz up to 200 kHz

 

  • Digital input MADI: Optical via FDDI duplex SC connector
  • Digital output MADI: Optical via FDDI duplex SC connector

 

  • Dimensions: 108 x 35 x 181 mm
  • Weight: 680 g

Parâmetros e especificações

Propósito

Tipo

Secretária

Compatível com


Funções

Número de canais

4

Número de pré-amplificadores

2

Phantom Power

Sim

Interface

ADAT

Interface MIDI

Sim

Relógio mundial

Controlos


Propriedades

Taxa de amostragem

Versão USB

2.0

AES/EBU

MADI

Sim

Montável em rack


Entradas e saídas

S/PDIF

USB

Sim

Ethernet

Entradas de instrumentos

2

Entrada de microfone

2

Entradas de linha

4

Saída de linha

2

Saída para auscultadores

Sim


Embalagem

Conteúdo da embalagem

Adaptador, Manual, Software


Acessórios

Fonte de alimentação UK/UE incluída

Não


País

Fabricado em

Alemanha


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