Audio-Technica AE2300 Microfone dinâmico para instrumentos

Audio-Technica AE2300 — Cardioid Dynamic Instrument Microphone

The Audio-Technica AE2300 is a cardioid dynamic microphone purpose-built for the loudest instruments on stage and in the studio. Sitting in the company's Artist Elite series, it targets guitar cabinets, brass, snare drums, and other high-SPL sources where most dynamic capsules either overload or lose their pickup pattern. The AE2300 maintains a consistent cardioid shape across its entire frequency range thanks to its proprietary double-dome diaphragm, so engineers can rely on stable off-axis rejection even in dense multi-microphone setups.

What Sets the AE2300 Apart

Two design choices lift this microphone above ordinary instrument dynamics. The first is the double-dome diaphragm construction, which the manufacturer specifies as keeping the frequency response nearly identical at 0°, 90°, and 180° — translating into excellent phase cohesion when several mics are clustered around a single source. Built into the design is a switchable low-pass filter that rolls off above roughly 6 kHz at about 8 dB per octave, letting engineers tame fizzy guitar-cab top end or spill from cymbals without dulling the instrument's core character.

Pattern and Frequency Range — Pickup Behavior

For instrument work, both polar pattern and bandwidth decide how much bleed the mic rejects and how much transient detail reaches the recording. The AE2300 is tuned to capture the punch and air of amplified instruments while staying tightly focused on the source.

• Polar Pattern: Cardioid — focused front rejection that helps the producer isolate a snare or guitar cab from neighboring instruments.
• The full frequency response runs from 60 – 20,000 Hz, which keeps the crack of a snare stick and the air of a brass bell intact, with a low end that reaches down into tom and kick-adjacent territory.
• Open Circuit Sensitivity: -57 dB (1.4 mV) re 1V at 1 Pa — a typical figure for stage-ready dynamics, designed to take loud sources without distortion or preamp strain.

Physical Build — Stage-Ready Construction

The AE2300 is built to survive nightly load-ins and frequent repositioning. Its all-brass housing resists knocks, while the unusually short body helps it disappear into cluttered rigs, drum kits, and tight cab mic positions where taller microphones simply will not fit.

• Weight: 138 g (4.9 oz) — light enough to sit on a low-mass boom without tipping, heavy enough to feel solid in the hand.
• Dimensions: 95.6 mm long, 28.0 mm maximum diameter — a low-profile footprint for close placement on snares, inside cabs, or on crowded drum kits.
• Rugged brass metal body holds up against daily live use and frequent transport across touring loads.

Connectivity and Accessories — Ready Out of the Box

The AE2300 ships with everything needed for first sessions on stage or in the studio. Included with the mic, an isolation clamp reduces mechanical vibration transfer from the stand, and the threaded adapter makes the microphone compatible with European and US stand thread standards right out of the box.

• Output Connector: Integral 3-pin XLR-M type — standard balanced output that pairs with any mixer, interface, or stage box.
• Included Accessories: AT8471 isolation stand clamp, 5/8"-27 to 3/8"-16 threaded adapter, soft protective pouch

Who the AE2300 Is For

This model is the right choice for live sound engineers, touring musicians, and studio recordists who routinely mic loud sources where off-axis spill is a real problem — guitar cabinets, brass sections, snare drums, and rack toms. Drummers looking for a single workhorse snare mic that cuts through a busy kit will appreciate the tight cardioid pattern and the built-in low-pass option that quietly deals with bell-tree or cymbal leak. Producers running multi-mic setups benefit from the phase-coherent off-axis response, which keeps overheads, rooms, and close mics summing cleanly without comb filtering. Bands that tour frequently gain a rugged brass body and a low-profile silhouette that survives load-ins, cramped stages, and tight cab mic positions night after night.

Artist Elite Heritage — The Audio-Technica Story

The AE2300 sits inside Audio-Technica's Artist Elite line, which the brand positions as its premier range of live and studio microphones. For years, the manufacturer has promoted this series as the answer for professional touring and recording environments, and the AE2300 — introduced as part of a coordinated expansion of the Artist Elite and ATM instrument-mic families — was designed alongside dedicated drum and instrument models such as the ATM230 to give engineers a matched, high-SPL toolkit for amplified instruments and drums.