The result is the creation of a truly special effects unit, bringing together the best of the digital and analogue worlds. This is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a powerful analogue multi-mode filter and valve overdrive. Developed in close collaboration with electronic music legend Moritz von Oswald, this delay is designed to be an inspiring and powerful performance tool for musicians, producers, and DJs alike.

At its core, this device features a versatile digital delay that can be synced to your tempo via tap tempo or an external clock. You can create everything from short, rhythmic echoes to massive, decaying soundscapes, thanks to a massive feedback range that can easily be pushed into self-oscillation. What truly sets it apart, however, is its analogue soul. The signal passes through a steep 24dB multi-mode filter (lowpass, bandpass, and highpass), allowing you to dramatically shape the character of the repeats. Want warm, dark echoes or thin, resonant pings? It's all at your fingertips.

To add another layer of warmth and character, an integrated valve overdrive circuit is included. You can introduce subtle saturation to thicken up your sound or crank it for aggressive, distorted textures. With its large, intuitive controls, this delay is built for live performance and hands-on sound manipulation. Every parameter has its own dedicated knob, encouraging real-time experimentation and turning the unit into a true musical instrument.

• Designed in collaboration with Moritz von Oswald
• Hybrid design combining a digital delay with analogue circuitry
• BPM-synced stereo delay line with tap tempo
• Analogue 24dB multi-mode filter (LP, BP, HP)
• Valve overdrive circuit for added saturation and warmth
• Extreme feedback range for dub and experimental sounds
• Intuitive, hands-on controls with large knobs for performance
• Rugged metal enclosure for maximum durability